Eclectic, burgeoning and unorthodox, the music of Thomas Adès offers a sonic journey through transposed structures, poles that are attracted and repelled, points of view which are nearby and distant at the same time. As a conclusion to the invitation to be a guest composer during this season and the previous one, Märchentänze (Fairy Tale Dances), a concert for violin and orchestra commissioned by L'Auditori together with the Finnish Radio Symphony Orchestra, Danish National Symphony Orchestra and the Göteborgs Symfoniker. Carry on reading
With Hotel Suite, Thomas Adès creates an orchestral suite based on Powder Her Face (1995), a chamber opera with a plot based on the scandalous divorce of the aristocrat Margaret Campbell, Duchess of Argyll.
The first of Franz Liszt's Mephisto Waltzes, called Der Tanz in der Dorfschenke (The Dance in the Village Inn), takes as its programme an episode from Nikolaus Lenau's Faust, specifically the one in which Faust seduces and kidnaps a maiden in the tavern, inflamed by Mephistopheles’ skill on the violin. The inspiration for the legend of the pact with the devil by Faust has, in the piece by Liszt, one of the most genuine incarnations of ecstasy and romantic fullness.